Archive for the ‘Short Stories’ Category

The Writer’s Wife

November 21, 2021

My story of this name appears in the ‘Abandon Hope’ issue of Vamp Cat, a wonderful zine that takes its name from one of Terry Pratchett’s best subplots, in Witches Abroad: ‘Vampires have risen from the dead, the grave and the crypt, but have never managed it from the cat.’

I’m proud of this story, but admit the idea of the trapped muse has been done before – most famously by Neil Gaiman in his Sandman episode ‘Calliope’. The Wiki fan page for that tale notes ‘Though the story of ‘Calliope’ was not criticized for unoriginality at the time of its release, its concept has apparently become a very popular one since; a list of overused story ideas at Strange Horizons included ‘Creative person meets a muse (either one of the nine classical Muses or a more individual muse) and interacts with them, usually by keeping them captive.’

Anyway, I hope you enjoy my take on this old myth.

There are also several reviews for Shiny New Books, from the spring and summer:

Civilisations – Laurent Binet

Greenwich Park – Katherine Faulkner

The Absolute Book – Elizabeth Knox

A History of What Comes Next – Sylvain Neuvel

My favourite of these was The Hard Crowd, a collection of essays by Rachel Kushner, whose novels I discovered a couple of years ago. The Mars Room is probably her best book, but her whole back catalogue is worth reading – and the essay collection the best thing I read this year.

Decant

January 9, 2021

This story has now been published in the literary journal of the Abergavenny Small Press.

Michael Mullan Cancer Fund

November 23, 2020

My story, ‘Aunt Krang’s House’, won the Michael Mullan Cancer Fund award earlier this month. (You can also listen to Mike Higgins’s reading of it on the vimeo award roll, about 15:40 minutes in.)

Michael himself is a brilliant young man from Kildare, who won a scholarship to Harvard Law. Michael was diagnosed with neuroblastoma at sixteen months old, was successfully treated but as a young adult developed renal cell cancer, requiring a partial nephrectomy carried out on his 22nd birthday. Four months after beginning his studies at Harvard, Michael developed mestastasised renal cell cancer. Despite being on chemotherapy, he graduated from Harvard Law in 2017.

In Michael’s own words:

At our first meeting with Dr Choueiri, days before my 24th birthday, I was told I had six months to live. At the age of 24, despite having had cancer twice before, I had never really thought about my mortality.

I was left wondering what I would do for the last six months of my life, should I stay in Boston and try fight the cancer or simply accept the fact that I had limited time and make the most of my last six months on earth?

I quickly decided that I would fight this cancer to the bitter end and not let it beat me. I had beaten it twice before, why not a third time?

My treatment has the potential of giving me the chance to have a somewhat normal life and allowing me to generate legal and social change through my academic work.

However, my doctors have advised me that I need to stay in the US in order to keep the cancer at bay. Sadly, there are no options for me in Ireland.

Medical costs in the US are extremely high. While my medical insurance covers part of the cost, there are still substantial fees not covered.

If there is one thing I have learned throughout my cancer experience it is that there should never be a price put on someone’s life, but for me that’s my reality.

My family, friends and community in Kildare are coming together to fundraise these much needed funds. I am forever grateful for all those who have supported me and continue to do so, in particular my girlfriend Mel.

Michael has gone through life experiences that would break most people. If you are able to donate towards his costs, please consider doing so

You can get updates on Michael Mullan’s treatment and fundraising on his Facebook page.

Find Me At Dawn

July 18, 2020

This story has just been published in the ‘Teeth and Feathers’ debut issue of Cape magazine. It’s set around 2016 and is a mad story, even for me, so I really appreciate Aaron and Briony taking a chance on it. The story was inspired by Edna St Vincent Millay’s poem, ‘Departure’.

The Lost Kingdom

June 24, 2020

Delighted that my story of this name has been published in the ‘Archaelogy’ issue of The Writers Cafe – you have to scroll down quite a bit and into the short story section to find me, but still, it’s a fantastic zine and well worth ‘digging into’ (falls over). I hope you like this odd story. And thanks to Marie for publishing.

The Almanac

March 25, 2020

I wrote this story, I think, just after the EU referendum. I know people who spent the whole day in bed that Friday. I couldn’t imagine reacting like that, I didn’t feel this big sense of despair and loss, I knew the EU wasn’t all good – its horrendous treatment of non European migrants was, and is, one of the great world scandals of present times. So initially I thought Brexit might be an opportunity as much as a disaster.

Over the next three years my heart hardened. It got too culture war. People got sick of being denounced as ‘the elite’ just because we voted the wrong way in the summer of 2016. The narrative of cosmopolitan Remainers versus working class Leavers took hold and stayed there. We were transactional, materialist, unserious, unworthy of being part of the new community of values, place and belonging. I don’t exaggerate – even the very intellectual and respected Leavers framed the debate in these terms. This is Matthew Goodwin, writing in January:

Our leaving is the result of a collective decision, taken by a majority of its people, about the destiny of their national community — or what most consider to be their home. And this decision, contrary to the liberal view of citizens as autonomous individuals who are mainly driven by self-interest, was never rooted in transactional considerations about money.

Nor was it focused on individuals. Rather, it was anchored in a collective and sincere concern about the wider group, about the nation, and in profound questions about identity, culture and tradition. Who are we? What kind of nation are we? What holds us together? Where do we want to go, together, in the future?

Remainers never grasped the potency of these questions — or how to answer them in terms that the majority would recognise. At times, they presented a vision of Britain that was fundamentally at odds with how most people see it — a random collection of individuals who have little in common aside from the pursuit of economic growth and ‘openness’.

That’s the level of debate we have had. The idea that anyone who voted remain – 48% of us – might have thought about the EU referendum on a political or philosophical level seems to have been beyond Goodwin. Such stereotyping and lack of allowance for human complexity inflamed the culture war. People complained about the People’s Vote movement and their gigantic demonstrations but that movement only reflected Leavers failure to win support and sell their case. But the spectacle also legitimised the tactically useful communitarian idea that we were a country divided into two very distinct tribes.

Here is the problem. Brexit was always analysed as a reaction to rather than a call for, it was sold to us as a cry of pain from an oppressed majority waiting to overthrow their neoliberal overlords. What we were going to do outside the EU, what a post Brexit Britain would look like, barely entered into it. Take away the stuff about free ports and state aid rules, and there wasn’t much there.

Take this piece from Jonathan Rutherford, one of the founders of the communitarian Blue Labour movement, writing (like Goodwin) on the verge of our offical exit from the EU. What is his vision for Britain post Brexit? ‘It will require a national economic development strategy which focuses on improving and modernising the everyday economy of child and elder care, health and wellbeing, education, utilities, and the low wage sectors of hospitality, retail, food processing and supermarkets which sustain daily life.’ This is New Labour without the style.

And who cares about this now anyway? It all seems so very long ago. Now of course we are fighting the coronavirus. A culture war doesn’t matter so much when you’re fighting to stay alive. Even Trump’s attempts to trigger the libs by labelling corona the ‘Chinese virus’ seem tired and perfunctory now.

So all of this is to say that when I wrote ‘The Almanac’ I had no idea how Brexit would turn out. It’s a story that plays on ‘Project Fear’ not as prediction but as concept: what happens when everything that could go wrong does?

It has been published by The Selkie and I should thank the appreciation and guidance of its editors.

And from now on, I swear, I will try to keep this place a Brexit free zone!

Image: Bloomberg. The stamp is from the Austrian post office. As the report says:

Austria had planned a stamp to commemorate Britain’s departure from the European Union, but when the presumed deadline – March 29, 2019 – came and went with no Brexit, the postal service found itself with 140,000 stamps bearing the wrong date.

Fast-forward 10 months, and as Britain finally heads for the exit, Austria is releasing the stamp–with the original date crossed out and Jan. 31, 2020 printed just below.

Valhalla

February 6, 2020

This short story of mine has been published by the amazing Words of the Wild as part of their ‘Jungle’ edition. I’ve benefited from their terrific illustrations and layout – though I wouldn’t describe the piece as dystopian, more a what-if of the world would be like if (or when) AI absorbed basically all of human experience. Didn’t Douglas Coupland say that the computer is like humanity’s subconscious? Anyway, I hope you like it.

The Old Devil

January 21, 2020

My story of this name appears in Crossways.

It was inspired by Michelle McNamara’s haunting true crime classic I’ll Be Gone in the Dark – particularly its unforgettable epilogue.

The book got me thinking about the awful, sordid headline crimes in British history like the Sutcliffe murders and I imagined what if one of those evil creepy men from the 1970s had somehow slipped the dragnet and was now living in obscurity in the 21st century.

As always, see what you think…

The Search for Atlantis

November 21, 2019

I know it’s been a long time, however as you know I am a man of great activity with many flourishing enterprises to look after. Just a quick note to thank Fairlight Books for publishing my short story of this name.

Like a lot of people my age I loved the old Choose Your Own Adventure books as a kid. I’ve seen other writers of my generation riff on the format – and the riffs were always to the point that our decisions are generally slight variations of the same routine. Of course that’s true most of the time but I wanted to be more expansive in my own take on it and write about the potential consequences of having a reset button for life, one you could hit not just once but over and over again.

I was very much inspired by this essay about mapping the Choose Your Own Adventure books, by Sarah Laskow at Atlas Obscura.

Tomorrow Belongs To Me

May 19, 2019

A couple of new things, on a similar theme: first off is a new story called ‘Tomorrow Belongs To Me’ published today by fascinating new online journal Clover & White. I’ve also written about Philip Kerr (no longer with us, o discordia) and his last novel Metropolis, at Shiny – and if you haven’t read any of his Bernie Gunther books, don’t worry, Metropolis is a good one to start off with, and you have a lot of fine reading in front of you. Enjoy!