Archive for the ‘Political’ Category

This Undone England

August 4, 2018

I kind of gave up on Anthony Powell’s A Dance to the Music of Time when I read this long essay by Christopher Hitchens, a fan of the conservative novelist. Hitchens had recently seen a TV adaptation of the grandee author’s twentieth century epic and found it wanting – in all respects but one:

It inserted only one incident that occurs nowhere in the work. As Jenkins watches a Socialist/Communist parade of unemployed ‘Hunger Marchers’ into Hyde Park, and notes with amused contempt the number of modish and fashionable dons and scribblers who have attached themselves to the procession, a gang of Blackshirts rushes forward with knuckle-dusters and truncheons and falls upon the subversives. It isn’t simply that the Mosley element makes no appearance at this point in Dance. It is more that the Fascist and crypto-Fascist element in upper-class British society makes no appearance at all. The only actual Blackshirt who is mentioned even en passant is the unnamed daughter of a Soho Italian restaurateur.

No disrespect to the fellow, but doesn’t that omission make it harder to take Powell’s work seriously? For a great social writer of the war and interwar years, the absence of ‘a Unity Mitford or a ‘Chips’ Channon or a Lord Halifax’ would be gaping. It’s like – even Wodehouse had Roderick Spode!

Now of course this kind of thing is historical fiction. There is a certain kind of historical novel that really sells. A country house between the wars. Gorgeous views of the fens and valleys. Families, friends, their own idiosyncrasies and secrets, a whisper of murders and infidelities.

This sort of thing sells for the same reason that crime fiction and Downton Abbey sells: we like the idea of sliding into some long, winter country night – and we like the assurance that everything turned out all right in the end. Okay, a lot of people in the BUF and the Peace Pledge Union were jolly bad eggs, but at the end of the day we did the right thing, won the war and banked our peace dividend on a liberalish society that has worked reasonably well to this day. I am thinking of D J Taylor’s The Windsor Faction – such a well realised novel that explores British sympathy for appeasement, but if you’ve read it, you’ll know that everything is resolved rather too easily. It feels rather pat.

After the Party brings a chill wind through this kind of complacent summer afternoon. True, Cressida Connolly uses many elements of the country-house novel. There are balls. There are lovely descriptions of the Sussex countryside, pre motorways and housing estates. There are married couples who sleep around.

A big departure is in the prose. After the Party clocks in at 260 pages and change – and when you consider the acute sympathy and observation of her characters, her uncanny sense of time and place, and the ton of historical research she must have got through, the fierce economy of Connolly’s book is all the more remarkable. In an age of literary maximalism it’s quite something – it doesn’t feel like a fingernail-clipping, it could be as long as Powell’s Dance and you would still polish the thing off in a day and a half.

The book begins in the late 1930s. Phyllis Forrester returns from many years living abroad with her naval commander husband. She buys a house in the country where her two sisters have already established themselves, one a high society hostess, the other a hard-headed community organiser who ropes Phyllis into the summer camps and village-hall talks. Except this isn’t just any community. This is from Phyllis’s first meeting:

Gradually the room filled. Phyllis had expected that most of the audience would be working men and was surprised to find that this was not the case, for none of the audience appeared to conform to any particular type. There was a group of young women who arrived all at once, chattering like starlings: clerks, perhaps, or shop girls. Three rather distinguished-looking women came in, two of them wearing fox-tippets despite the summery weather. With pronounced hauteur they made their way straight to the front row of seats and installed themselves, each with one ankle tucked politely behind the other, just as Phyllis and her sisters had been told a lady must always sit.

The speaker turns up. He talks passionately about the livelihood of small shopkeepers. He laments the British high street, squeezed out by retail giants. You agree with him. Fascism doesn’t come to the ball as fascism. It doesn’t come to the ball saying ‘Heil Hitler’. It comes to the ball saying ‘Straight talking, honest politics,’ or ‘Take back control’.

Seamlessly Phyllis and her friends are sucked into an authoritarian if not totalitarian enterprise. Phyllis’s daughter paints ‘PJ’ (or ‘Perish Judah’) on a community hall: it is youthful high spirits. The Leader himself, Sir Oswald, favours the community with frequent visits – more than one person comments that the Sussex village always gets fair weather when Mosley comes to town, reminding you of Unity Mitford’s impression that sitting beside Adolf Hitler was like sitting beside the sun.

Yet it somehow doesn’t feel that way. Connolly’s characters are so likeable and real that their descent into fanaticism takes the reader as much by surprise as it does Phyllis Forrester. She is a kind, smart woman who loves her family. When she is finally interned, you feel the wrench, and her solidarity with other inmates in Holloway. You feel the shame, when she is released, and the old certainties fall away from her in a drift of social shame.

It’s only decades later, when Phyllis looks back on her life, that you hear the thunder of jackboots:

I don’t regret my politics, I don’t see why I should. I think history has proved us right. Look at the state of the country, now! Endless power cuts, grave-diggers on strike so that bodies lie unburied, no one collecting the rubbish so there are rats in the streets… it’s a disgrace. People freezing to death in their own homes because the electric’s been switched off. Socialist infiltrators picketing outside our hospitals and fire stations. All these foreigners taking over our little shops and whatnot… We used to be a great nation, a great Empire, and now look at us. Sir Oswald would never have let things come to this.

But this variant of pathology always comes to this – always ends in bitterness and nostalgia. But the strength of this wonderful book is that we realise that your situation is not necessarily all you are, your ideology is not all you are, and that at some point we were better, and free, even if we didn’t realise this. Politics makes us into strange shapes. The world turns us into other people – rich and strange.

Connolly has an amazing few lines from something called the ‘General Confession’:

We have left undone those things which we ought to have done and we have done those things which we ought not to have done, and there is no health in us. There is no health in us.

Phyllis’s main regret is for her enigmatic friend Sarita. Who was that strange man she met in Paris: was she just a morphine junkie or some kind of Allied spy? Read this awesome book and decide for yourself.

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Bret Easton Ellis and the Hangover

June 9, 2018

Last month there was an interview with Bret Easton Ellis in the TLS that I’ve been thinking about, by the novelist Natalie Olah. I’ve read it again and these for me are the standout passages:

Nathalie Olah: There’s a sense of culture really becoming strangled recently by this pervasive tone or moralizing and preaching, helped along by social media and the consensus culture of likes and retweets.

Bret Easton Ellis: It’s terrible. And it’s a terrible way to live as an artist. You see it affecting the arts on a vague, vague but vast scale – where is the taboo? Where is the Other? So what if it’s offensive? Good! Where is this bizarre idea of art created by committee, by a democracy, coming from? Art isn’t created by a democracy! And there seems to be this thing, especially on social media, of group-approved art, that’s chilling.

I don’t believe utopia is in our DNA. I think we’re deeply flawed animals with a sort of sexual lawlessness, that we are violent, that we want to be on top, that we want to be in control of things. We obviously don’t want to be killing each other in the streets, but we’ve got to get realistic about who we really are and what it means to be a woman, what it means to be a man, what it means to be a gay man.

I wouldn’t have been the writer I am if I’d been raised in a very safe, no-bully environment with a nice mom and dad who looked after me and made sure everything was ok. I was talking to Laura Jane Grace, who’s a transgender singer from a band called Against Me!. She’s a powerful songwriter. When she finally became Laura Jane Grace the songwriting jumped up a hundred notches. She made three great records with the band. But she said there is no way she would have ever done any of it had she had a normal childhood with parental love and acceptance from her friends. I think your experiences of pain and alienation and people marginalizing you is what forces out this expressiveness. I think we’re becoming a society that wants to erase all of that. Put everyone into this safe group that is all taken care of and everyone’s the same and no one’s different and we all love each other and we’re eradicating all pain and it’s all very nice and it’s all very utopian; I just don’t think that’s who we really are and I don’t know what the end game of that is.

How much there is to unravel here! I love Ellis, but there’s a familiar tone in his remarks, that of the older maverick intellectual who no longer really understands how the world is changing and retreats into defensive cynicism and outrage seeking. It’s far more common in England where we have a very strong tradition of anti-modern disillusionment (beginning with Evelyn Waugh and Anthony Powell, maybe even before them). With contemporary shock columnists like Rod Liddle and James Delingpole, there’s a sense they are trying to tap into this High Church aesthetic. There’s the US counterpart as well – the Grand Old Man of the counterculture, obsessed with ethnic struggle and complaining about the crazy students at Harvard these days.

Ellis’s points about virtue culture are obviously well founded but what Ellis (and many other adversarial commentators) never take into account is the backlash to that kind of culture. For every woke left virtue signalling tweet there’s a very clever man online who will spend hours deconstructing it. There’s a cottage industry now of ‘lol SJWs’. This industry has its own vanity (‘look how clever, and rational, and unemotional I am!’) and its own sensitivities. The latest thing is the phrase ‘gammon’ to describe a certain kind of reactionary, middle aged fellow. No sooner had this term entered usage then the other side of the culture war mounted its high horse, and damned the term as offensive towards white working class people – or people with hypertension, I can’t keep up.

My point is that virtue culture and SJWs used to dominate discourse but it’s darker and more complicated than that now. I am convinced that more and more people are getting turned away from political discourse because it is so toxic and full of this kind of self aggrandisement. Perhaps that is the point. But writers don’t often say so, because the poetry of fighting SJWs has a strong simple lure of its own.

What does all that say about social justice? Like Ellis, I don’t think utopia is in our DNA. We’re wired up for survival rather than happiness and the realisation of this is a huge psychological boost, it has been for me anyway. Where this feeds into Ellis’s points about generational cultures is, again, where it gets more complicated. Millennials tend, in my experience, to be more hardy and practical than older people – they have learned to manage without the welfare state and full employment that older generations took for granted.

Does that explain ‘why there isn’t a Great Millennial Novel. Or The Great Millennial Novelist’ as Ellis asks? Who knows, I can’t name an epic Augie March style defining book for millennials, although there have been fine books by millennials and perhaps that epic definitive work will come. It is – contra the envy trope that writers have to be hot, young and marketable – not easy for young people to get stuff published.

Utopia is not in our DNA. What is there is a striving for positive change and positivity, and it comes, incrementally and gradually. Bad experiences may make you stronger, or more creative, but more often that not they leave nothing but bad memories. Like Ellis says, who knows what the end game will be or what tomorrow will bring? Perhaps safety and happiness is an illusion – but it’s worth looking for, all the same. And the search may be our one reliable instinct.

Everything Old Is New Again

May 14, 2018

If I had to recommend a historian on the twentieth century terrors to someone who was coming new to it, I would probably choose Timothy Snyder. His Bloodlands is a masterful study of how the Nazis and Communists half destroyed Europe. The follow up, Black Earth, was derided on publication, but I think in time it will get its due as an evocation of how scarcity of food and other resources brings about the preconditions for fascism. Of course there are many other historians who write about the Third Reich and the Soviet Union. But none have the compelling urgency of Snyder’s prose. He writes beautifully, even lyrically – as lyrical as anyone can write of such dark periods. In The Road to Unfreedom Snyder turns his fire on our own time.

It’s customary to look back with a rueful chuckle to 1989 and the declaration of the end of history and the years before the market crash. How naive we all were. Conventional wisdom held that people would be happy with their smartphones and their credit cards and their cheap mortgages. We forgot that there are darker passions in human history that don’t go away: disregarded, also, that the Long Boom wasn’t a boom for everyone and that millions suffered in poverty during those years. Snyder calls this complacency the fable of the wise nation: the idea that we had learned our lesson from history and that nothing more could go wrong. Another phrase of his is the politics of inevitability: ‘the future is just more of the present, that the laws of progress are known, that there are no alternatives, and therefore nothing really to be done.’

The Road to Unfreedom is a very macro, international book, but you can see, with hindsight of course, how its ideas work on smaller scales. Let’s look at my own country, the UK, and how it did in the book’s timeframe of the 2010s. In May 2010 a Conservative-led coalition took power here. David Cameron and George Osborne were classic inevitability politicians with a catchy narrative: ‘there is no money left’. Previous social democrat governments had run up a huge deficit with welfare programmes, and it was the job of the Tories to sort out the nation’s finances. The Conservatives went to town with a slash-and-burn programme.

Within years, the effects were visible. When I left the city of Manchester in 2013 it was a thriving metropolis with few social problems. By the middle 2010s it had food banks, tent cities and drug epidemics. Cameron and Osborne talked like liberals, but people starved. Then Cameron made his final blunder. He had been harried for years by the far right UKIP party, which sold a competing narrative of grievance and victimhood tied to Britain’s membership of the EU. By calling a referendum on Europe, Cameron believed he could call the opposition’s bluff and end the argument about identity and migration forever. Look how well it worked.

The optics would be familiar to anyone living in Putin’s Russia in the 2010s. As Karen Dawisha explains in her startling book Putin’s Kleptocracy, he rose to become Russia’s president against a background of oligarchs ripping off the country’s wealth and resources in the messy post communist years. By the time the former KGB colonel reached power, the EU had expanded eastwards. Countries that once lived under the Soviet Union acceded to a democratic bloc. For the reactionary traditionalist Putin, Russia was a pure and changeless country menaced by decadent godless Europe, with the American superpower right behind it. Putin spoke the language of traditions and values under ceaseless attack. Victimhood is essential to the authoritarian philosophy. George Orwell recognised it. On reviewing Hitler’s Mein Kampf he wrote that ‘The initial, personal cause of his grievance against the universe can only be guessed at; but at any rate the grievance is here. He is the martyr, the victim, Prometheus chained to the rock, the self-sacrificing hero who fights single-handed against impossible odds. If he were killing a mouse he would know how to make it seem like a dragon.’

In Bloodlands and Black Earth, Snyder showed how totalitarian forces destroy populations. In the twentieth century they did it by dismantling the state apparatus and civil society that kept citizens safe from harm. In countries that had sovereign infrastructure, persecuted individuals had a chance to escape. In places like Poland or Ukraine, that didn’t, far more people ended up in the concentration camp or the mass grave. To defeat Europe, Snyder explains, Putin had to make it more like Russia: not an alliance of sovereign democracies but an empire ruled by strong leaders. Russia did this by encouraging puppet leaders to rise in fragile democracies, and encouraging far right nativist elements in European countries. Ukraine was the first main battleground. It was in talks to sign an association agreement with the EU as a first step towards full membership.

Russia’s preferred leader in Ukraine was President Yanukovych, a kleptocrat crass even by Putin’s standards. Reporter Shaun Walker, in The Long Hangover, describes that after the revolution, ‘There was both marvel and anger as people discovered how their leader had lived: the overwrought palatial interiors of the main residence, the garage packed with vintage automobiles, the petting zoo with ostriches and llamas in residence, and the ersatz Spanish galleon moored on the president’s private lake.’ Yanukovych vacillated over the association agreement, and his heavy-handed bumbling led to spiralling protest. Here Snyder touches on the human element of the Maidan protests: people building barricades out of snow and wooden pilings, the makeshift civil society that sprang up on the square (there were even Maidan weddings) the elderly protestors who donned their best suits before going to the demonstrations, in case government snipers killed them that night. It was a forgotten populist revolution where ordinary people risked their lives for democracy.

Putin’s circle still thought of Russia as a colony, but that doesn’t entirely explain the invasion. The Maidan was the threat of a good example in practice. The philosophy of the Russian state in the 2010s wasn’t about the rule of law or sovereignty or human rights. It was about faith and flag and the weak being enslaved by the strong. Crank ideologues of the twentieth century – Lev Gumilev, Ivan Ilyin, Julius Evola – were resurrected and their ideas became surprisingly influential. (It took hard work to adapt these ideas for a modern audience. Gumilev claimed that some nations became more powerful than others because they could absorb patriotism in the form of cosmic rays. A French thinker, Jean Parvulesco, argued that everything depended on how close you were to the sea: ‘the Americans and British yield to abstract Jewish ideas because their maritime economies separate them from the earthy truths of human experience.’)

The intellectual patina of such authors was not inherited by modern Russian state propaganda, which operates like a clickbait factory. Oliver Kamm reports that ‘On March 6, two days after the poisoning of Sergei and Yulia Skripal, the [Russian] Embassy felt so little horror at the attack or sympathy for its victims that it issued a press release condemning ‘a new phase of the anti-Russian campaign’ and called for an end to ‘the demonisation of Russia’.’ Of course you’re not supposed to believe that MI6 organised the Douma chemical attack, that the EU is run by gay Nazis, or any of the other stuff RT puts out. The point is the knowing smirk, the manufacture of liberal outrage, and the display of raw power. Crime writer Sophie Hannah defined a scary adversary as someone who will lie to you, knowing you know it’s a lie, and daring you to contradict them. Putin’s Russia is that adversary on state level.

Snyder has a blistering chapter on Donald Trump, an incompetent real estate tycoon who went to the Russian banks when he finally ran out of credit in his own country. You can debate the extent of Trump’s ties to Russia and Putin. (My edition of Red Mafiya, Robert Friedman’s 2000 book on Russian mob activity in the US, claims that the fearsome coke kingpin Vyacheslav Ivankov was eventually run to ground in a Trump condo: ‘A copy of Ivankov’s personal phone book, which was obtained by the author, included a working number for the Trump Organisation’s Trump Tower Residence, and a Trump Organisation office fax machine.’) Putin’s appeal to Trump was obvious anyway: a fellow authoritarian strongman who shared a love of power, and an aversion to people of colour, assertive women, free expression, and critical media. The Trump model has unlikely imitators. The Labour Party’s Jeremy Corbyn is seen as a kindly socialist but with its antisemitism, its love of strong leaders and its dislike of uppity women and journalists, his movement is basically Trumpism with sandals.

For all that The Road to Unfreedom is a macro book, Snyder has great sympathy with ordinary Americans struggling with low incomes and economic anxiety, and highlights the inequality and oligarchism in America as much as Russia. The question is implicit: if Trump, Farage, Putin are populists, why are they so bad at delivering results for the common man? The average Trump or Brexit voter has a raw deal. Instead of a better future, they get only a lament for lost countries. They see meaningful work replaced with the gig economy and meaningful arguments replaced with culture-war spectacle. The conclusion of Snyder’s exceptional book is: people deserve better.

Lives of the Saints

May 3, 2018

Britain is a healthy nation. No, seriously. We’re giving up drugs, drink, tobacco. Instead of hitting the pub, we’re going for ParkRun. Instead of booze marathons, we’re doing real marathons. We’re smoke free, sugar free, juice bar, massaged kale. We’re writing memoirs about how hard it was and how clean and happy we feel. Every vice has been extinguished – apart from one thing.

It’s a hard one to define, this sinful habit, and the writers come closest. Philip Roth in his campus novel The Human Stain defined ‘the ecstasy of sanctimony’ as ‘America’s oldest communal passion, historically perhaps its most treacherous and subversive pleasure’. Martin Amis’s The Information features a novelist who has become rich writing anodyne morality fables. The egocentric author Gwyn Barry feels, working with his publicity team ‘as if, on his way up in the lift, he had dropped a tab of C: that drug called Condescension… Ninety minutes later he rode the elevator earthwards, leaving the team working late. He said hi to the young black porter, thereby making his day. That was what Gwyn was doing all the hours there were: making people’s day. Whew, that C was really good shit!’

What I’m trying to get at is that sanctimonious rush, that buzz of intellectual one-upmanship. We’re mainlining that drug called virtue, we’re smoking it, glanding it, dropping it, microdosing it into our eyeballs, shooting the stuff into our veins. It’s an epidemic out there. Go on social media and you’ll see activists and commentators, endlessly refining and developing their wokeness like an obsessive golfer perfecting his swing. (For more mundane examples, think of the career bureaucrats who delight in picking up procedural errors in your own workplace.) And, because virtue is nothing without vice, they have to also monitor the speech and behaviour of others, and shame anyone who doesn’t make the line. Flaubert said that inside every revolutionary there is a policeman, and he wasn’t wrong.

Of course that’s nothing you don’t know. There is an entire cultural genre called ‘crazy students banning stuff’ with reports of students banning or protesting against various innocuous individuals or behaviours, for real or perceived political offences. Today’s intervention from the Department for Education was perhaps made with the ‘crazy student’ genre in mind. The Times reports that ‘Students will be banned from refusing speakers a platform at their universities under the first government intervention on free speech on campus for 30 years.’ I mean, wow! There’s a bold pledge: how would it work, exactly?

Perhaps it’s not meant to. I had a look at the BBC report, the Guardian plus the DfE press release and the government’s real idea seems to be to incorporate various protocols into one universal code of practice that would get rid of safe spaces, no platforming and all the other silly political correct things that go on in our universities. Minister Sam Gyimah said that ‘A society in which people feel they have a legitimate right to stop someone expressing their views on campus simply because they are unfashionable or unpopular is rather chilling… There is a risk that overzealous interpretation of a dizzying variety of rules is acting as a brake on legal free speech on campus.’

After years of the ‘crazy student’ genre, there is a surfeit of sanctimony out there, and not just on the part of the crazy students. Manufacturing outrage about political correctness has become a career path in itself. For example, I give you campus celebrity Robbie Travers. He tried to destroy a fellow student’s reputation for a social media post, then portrayed himself as the victim of the student thought police. There is the Spiked Online crew that crank out contrarian content so repetitive it could almost be written by pro forma. There’s a more sinister example in the neo-fascist intellectual Richard Spencer. Until the horror of Charlottesville, Spencer had built a solid media profile on the campus police issue. The Daily Beast explains how he did it:

Spencer traveled the country giving speeches at less-than-receptive colleges. The speaking tour was as much about getting into legal fights as it was addressing students; many of his speeches were sparsely attended. Instead, Spencer and his assistants would wait for colleges to refuse them speaking space. Then they’d accuse the schools of trampling their free speech, and either sue the schools or threaten to do so.

Serious free speech campaigners give these people a wide swerve. People like Travers, Spencer, Brendan O’Neill are not interested in real freedom of expression, they’re interested in building profile, generating attention – and also I think there’s an intellectual vanity there, the delight of the bureaucrat who has found a hole to pick in something. It is classic culture war politics – it has little or nothing to do with people’s lives or what goes on in the world, it is politics as performative dance. And it makes the cause of freedom of expression look ridiculous.

Why does this matter? My first concern is that the DfE proposals aren’t entirely serious and are motivated largely by culture war politics – cynical, I know, but the appointment of Toby Young at Office for Students fits with my cynical view, albeit it was a brief appointment. The other point is freedom of expression is under attack in this country. If you think the campus thought police are bad, wait until you get a job. Post the wrong kind of tweet as a professional, and you could be fired. If you are a whistleblower, raising concerns about, say, patient care, or reckless lending – then you will be fired, and be lucky if that’s not all that happens. Our government can find the time and money for Brexit, which is supposed to be a populist revolution. But we’re not getting a First Amendment or Bill of Rights, which would actually mean something for the common man. We’re going to have the same strong coercive state with its same competing branches trying to police our lives.

A tab of C comes with a heavy comedown.

Why Footnotes Matter

April 12, 2018

Simon Wren-Lewis has weighed in on an argument between Ian Dunt and Owen Jones about the future of populism. I can’t read the whole argument as I have been blocked by Owen Jones on Twitter (as, who hasn’t, darling?) But I would like to respectfully swing my oar at this line from Wren-Lewis: ‘Where I started to disagree with ID’s piece is where he tries to do the classic centrist thing, which is to imply that the dangers of populism in the UK come from both left and right. In immediate historical terms this is nonsense.’

Wren-Lewis follows up with a series of stark and questionable assertions:

In this story of how populism came to the UK, and represents an ever present threat in the UK, Labour’s problems over antisemitism do not even deserve a footnote.

It will not be a Labour government that tells people that have lived here for scores of years that they now have to leave the UK and say goodbye to their friends and family.

It is not and never will be the Labour party that runs an Islamophobic campaign for mayor of London.

Let us walk back a little. Classical American populism was about rights and freedom for the common people. Modern British populism is mainly about a reverence for strongman leaders, and a corrosive aversion to modernity, feminism, urbanity, global trade and honest work. British workers suffer from substandard housing, crap jobs, a decaying social infrastructure, a strong, coercive state, and an institutionalised contempt for the average person. A real populist movement could help struggling workers to organise, have their say and achieve real change. British populism offers little but bitterness, sentiment and nostalgia.

Wren-Lewis knows a little of how we got there: yes, the Tories and their press allies politicised immigration beyond reason during the 2000, and by the time Conservatives regained power in 2010, ‘the idea that immigration was ‘a problem’ that needed to ‘be controlled’ was firmly entrenched in political discourse.’ But I think Wren-Lewis offers only a partial account of how we got where we are: and would argue, too, that the left bears responsibility for the ugly little corner we’ve backed ourselves into.

These days the Blair years look like an era of carefree globalism. We forget about the machine politicians like Phil Woolas and Liam Byrne who dominated debate at the time. Not everyone prospered in the funky groovy New Labour years. There were plenty of coastal hinterlands and market towns ‘left behind’ as they say: there were votes to be had in the half-rational resentments that curdled in such places, and plenty of Labour politicians ready to chase them. Labour passed a ton of anti-migrant legislation in power, which the coalition government built on to create the hostile environment and the border state.

Complementing the legislative drive was a cultural shift towards communitarianism and national introspection. Numerous Labour academics and policy analysts wrote reams on the impact of migration on communities. There were solid points in the bluster: the impact of migration on wages and work conditions, for example. But any real insight was lost, again, in nostalgia and sentiment and the culture war. The latest instalment is coming this weekend, with the 50th anniversary of Enoch Powell’s ‘Rivers of Blood’ speech, which the BBC plans to broadcast in its entirety. You don’t need to read the Saturday papers: you can guess what they will say. The right will bang on about patriotism, the left will bang on about racism, the centrists will wring their hands. Should the BBC play Powell’s speech? I really don’t care. Set it to fucking dubstep and put it on 6Music, for all it matters to me. It is all of a piece with the circular, endless and toxic debate that this country cannot seem to leave alone.

At times like this it’s instructive to read the foreign press and see how this country looks from the outside. Jenni Russell wrote in the NYT:

The paradox is summed up by two women I interviewed recently. Both were single mothers living on benefits they denounced as far too low. Both had voted for Brexit. Both believed there were too many foreigners here. And both were scandalized when I asked whether they would take vacant jobs in cafes or shops.

‘They’re immigrants’ jobs,’ one said.

There’s another way of looking at this. James Bloodworth, who recently spent six months of hard graft in an Amazon distribution shed, has argued that refusing gig work is a good thing – ‘it is progress that most British workers will not take jobs from employers who treat them like animals.’ My point is that social democracy cannot be built on unskilled British people sitting around on tax credits while migrants work the fields, like the American South of the plantation years. It could be argued that Russell’s point is pure snobbery, that the left behind needs respect and protection as a class. But this leads to its own backlash. People are resistant to the idea that their country could be walked off a cliff because of some guys on council estates who don’t care to hear a foreign accent in the street.

Let’s go back to Wren-Lewis. I would say that his faith in the Labour leadership is misplaced. Corbyn’s manifesto promises that ‘freedom of movement will end when we leave the European Union’. He moans about the ‘wholesale importation’ of European workers. His ‘jobs first Brexit’ is basically ‘English jobs for English workers’ with better signalling. British Europeans do not trust him – and they are right not to. For Corbyn is the latest incarnation of the Labour right machine politician. And as we’ve seen, he brings far left prejudice with him. Corbyn has turned a proud British labour party into a talking shop for the far right. Thousands demonstrated against his tolerance of anti-semitic bigotry: thousands more have simply walked away from the party, concluding it is beyond hope.

So, respectfully, I would disagree with Simon Wren-Lewis when he says things like ‘In this story of how populism came to the UK, and represents an ever present threat in the UK, Labour’s problems over antisemitism do not even deserve a footnote.’ I think it deserves a little more than that, because these problems demonstrate that there is no minority that populists of the left, as well as the right, would not throw under the bus. None.

Stories All Along the Line: The Inspector Chen Mysteries

March 25, 2018

I have just finished Shanghai Redemption, the latest book in Qiu Xiaolong’s Inspector Chen mysteries. The Chen books were a revelation to me, knowing nothing about China, but Xialong’s style, accessible and elegant, taught me a little about the country and its history and what it might feel like to live in one of its cities. True, the novels aren’t like most police procedurals. Chen Cao comes from an academic family, his father was a Confucian scholar who was persecuted in the Cultural Revolution. As a young man, Chen dreamed of becoming a poet or a scholar himself, but was allocated a career in the Shanghai police bureau in the arbitrary system used by the communist regime at the time. In part he still pursues the aspiration, publishing poetry in newspapers and journals, and supplementing his meagre police income by translating Western crime novels. The detective as artist shouldn’t work, but somehow it does. Chen punctuates his conversation with obscure dynastic poetry, and you completely buy it. As well as Chinese classics like Dream of a Red Chamber, Chen also has Western influences. Lines from Eliot recur throughout the books – culminating in a bizarre scene where Chen is lured to a fake T S Eliot themed book launch in a nightclub-cum-brothel and has to make a quick escape when the venue is raided by vice police.

Xiaolong began his mystery series at a time when China had moved beyond Maoism and started to become a world market power. This gives the books a weird and contingent atmosphere. Everyone is on the take because most professionals are paid at a derisory flat rate which has to be augmented with bribes. Generations of families are crowded into communal shikumen tenements with their washing hung out over rows of creaking shared ovens. Chen himself is seen as a high flyer because, unlike most single men, he actually has his own apartment. Shanghai is full of the great signifiers of late capitalism – Wi-fi, nightclubs, gigantic advertising hoardings, glossy housing developments – but we know that behind all this modernising glamour the strong, coercive state is still there. Even the literary world is fraught with furtive politics: when an American poet tells Chen that ‘I wish there was an institution here like your Writers’ Association. A sort of government salary for your writing. It’s fantastic. In the States, most of us can’t make a living on writing… We all envy you. I would love to go to Beijing and become a professional writer too’ Chen thinks – but naturally is too polite to say – that ‘The American poet would have to live in China for years… before learning what a ‘professional writer’ was like.’

Trying to keep ahead of the political games as well as work complex murder cases takes its toll on the detective, who is plagued by frequent headaches, and in one of the books has a quiet, caffeine-induced nervous breakdown. Chen is always trying to do the right thing – in a postmodern tip, he’s compared by friends to the classic archetypal hero cop in a Moaist serial. But Xialong plays the toll on Chen’s physical and mental health with subtle brilliance. Intellectually he can rationalise his complicity in a foul system, which life and fate give him no choice but to accept. But his body understands better. In a late book, Don’t Cry, Tai Lake, Chen is rewarded – or possibly sidelined – with a vacation at a gated Party luxury resort. Temporarily free from the commitments to the police bureau and Chinese socialism, the bold and rejuvenated Chen pursues a young woman who works at the local chemical plant. But it’s just a holiday and a reprieve: the book ends with the inspector heading back to the Shanghai grind. ‘He wondered whether he would be able to take a nap on the train, feeling the onslaught of a splitting headache.’ Chen is admired as a successful and connected cadre, who makes the Party happy by solving many difficult political cases. But his success is a house of cards. Xialong uses the Dream of a Red Chamber quotation to illustrate the transitory nature of fortune as well as the illusions of states and politics: Truth becomes fiction when the fiction’s true; Real becomes not-real when the unreal’s real.

This is what Xialong does so well – the impact of history upon the individual. The caprice of destiny and states. All the characters are casualties of the Cultural Revolution: Detective Yu, Chen’s sidekick, was sent at a young age hundreds of miles away to rural China as part of the ‘down to the countryside’ movement, where ‘educated youth’ of the cities were exiled to the back of beyond in the hope that they would absorb the spirit of agricultural socialism. Yu met his wife, fellow exile Peiqin in the shitshack farm village to which they’d been assigned. Much of the Yu and Peiqin chapters – their struggles with the housing bureau, and getting their son into college – is a testament of how people can establish happiness and solidarity despite having their lives disrupted by governmental fiat. This sense of warmth and community pervades the series: no matter what’s going on, there always seems to be time to share a drink or a fine meal with company and conversation. The people of Shanghai, Xialong tells us, will outlive their authoritarian rulers.

And through it all, the mystery remains. This is a poem Xialong includes as an epigram to A Case of Two Cities:

 

Out of the train window,

the gaping windows of the buildings

are telling stories all along the line,

about the past, the present and the future.

I am not the teller of the stories,

nor the audience,

simply passing through there,

then, full of ignorance,

so full of imagination.

 

The high tension cables

outline the score of the evening.

 

Simply passing there,

then – ‘Next stop is Halle.’

Notes from the Jungle

January 12, 2018

Darren McGarvey had every right to make this book all about himself. He grew up in the tough Pollock social estate of south Glasgow, an environment where ‘a simple trip to the shop around the corner was a risk to your safety’. His mother’s life was dominated by drink and drug problems, and she died aged just 36. McGarvey himself struggled with addiction and homelessness. To stay sane the young McGarvey got into rap music, took part in community protests, made a name for himself, and eventually reached the point where he was seen by the establishment as an authentic working class voice. But only if he said what the establishment wanted to hear.

The testimony about my childhood was fine but they were less keen on the observations I started to make as my understanding of poverty, its causes and impacts, deepened. I was growing and learning and evolving, as I had been all my life, and this created new lines of enquiry that I would immediately pursue, no matter the consequences. Queries such as ‘Who makes the decisions about your budget?’ and ‘How do we solve poverty if all your jobs depend on it?’ were making people around me nervous.

Britain welcomes working class voices, as long as they are happy to be defined entirely by their background. And Poverty Safari gives us a world-class account of what it is like to be poor. Books like this are normally described as ‘visceral,’ or ‘hard-hitting,’ but McGarvey achieves much more with his terse, low-key style. In this slim volume he encompasses a tower-block worth of lifetimes. The impact of growing up, surrounded by chaos and tension; the defence mechanisms that harden into irreversible neural pathways, the core beliefs that form (‘This isn’t for the likes of me’, ‘The state owes me a living’, ‘Everything bad that happens is someone else’s fault’) the feeling that you have been judged as soon as you enter a room, and that the real conversations are going on without you: the development of static and corrosive communities. For a long time the exceptional book on the white working class was Michael Collins’s The Likes of Us. McGarvey’s collection of essays and vignettes is arguably even better: there are pieces (‘A History of Violence’ and ‘The Changeling’ come to mind) that remind you of Orwell at his brightest and most accomplished. How eloquently he cuts through the modern culture-war bullshit and actually says something.

One point McGarvey emphasises again and again is that we can’t just sit around waiting for a new economic or political system to appear, and that the public sector is not necessarily the answer. Council, arts and third sector organisations descended on estates like Pollok even through the austerity years. Action plans were written, conferences held, officers hired, meetings convened… and not much changed. The suspicion forms that the various public agencies had a structural interest in seeing working class people as victims. Personal responsibility and the potential of the individual to change their lives has been gifted to the political Right.

The public sector – and a lot of the private sector – relies upon a complex system of language and ritual that is difficult for most people. If you can learn the script, and jump through the hoops at person spec and interview stage, then maybe – maybe – you’ll be ‘cut in’. If not, you’re left to the debt and conditionality serfdom of the modern welfare state. This is also, McGarvey writes, one of the many issues with intersectional politics and virtue culture. He points out: ‘The very members of the vulnerable and marginalised communities intersectionality is designed to empower may feel baffled by the jargon, afraid to speak up or ask questions, anxious that they might misspeak and be condemned or exiled.’

Throughout the book McGarvey stuns the reader with the force of his imaginative empathy and willingness to take on new perspectives – so in that spirit I’ll take issue with a few of his remarks. The passages on immigration are the only conventional parts of Poverty Safari. Having legitimate concerns about migration doesn’t make you racist, McGarvey says: ‘to claim there are no legitimate concerns about immigration is useless and fails to account for the extent to which politics are rooted in the emotional reality of people’s lives.’ The Brexit vote, he says, was ‘perhaps a glimpse of what happens when people start becoming aware of the fact they haven’t been cut into the action but have no real mechanism to enfranchise themselves beyond voting… When the full wrath of working class anger is brought to bear on the domain of politics, sending ripples through our culture, it’s treated like a national disaster.’

No one would seriously deny problems arising from the waves of immigration following the fall of the Wall, A8 accession and the refugee crisis. But listening to legitimate concerns is practically all politicians have been doing for twenty years. From the New Labour period, governments passed laws restricting migrant entry and entitlements, enforcing the state’s detention and deportation powers; ministers and journalists appeared on talk shows, almost breathless and overwhelmed by their own bravery in ‘talking about immigration’. The problem with this approach has been that you can’t necessarily deport your way out of the problem – you have to deport a lot of people to produce an impact that the public will notice – and that generations of migration has already changed this country in ways that can’t and shouldn’t be reversed. Where does the economic argument against immigration end and the cultural argument begin? What are we supposed to do, tear down the mosques and Asian supermarkets? And there is often an ominous subtext in the warnings of the ‘social discohesion’ that can happen if legitimate concerns are not met. What a lovely cosmopolitan city you’ve got there. Go up a treat, that would…

The tide is already turning. Professionals are beginning to think in terms of recruitment crises and skill shortages rather than trying to accommodate an abundance of foreign jobseekers. McGarvey also says that ‘the people in society who are pro immigration are usually those who feel connected, involved or have been cut into the action in some way and are thus invested in the process.’ I regret to tell him that over ten years of pro-migration blogging this ungrateful lobby has yet to distribute wealth and power in my direction. And I suspect that most people, while probably not open borders enthusiasts, do not share the defining and passionate opposition to net migration characteristic of the far right and the left behind.

Culture warriors idealise a vision of an authentic working class against the decadent bourgeois. But this sort of thing creates its own backlash. People are sick of the idea of the ‘left behind’ as some kind of victim group that can’t be challenged. In the intersectional academic world, McGarvey says, no one talks about ‘racism within the LGBT community, homophobia among African Americans, debate about transgenderism in feminist communities, subjugation of women in Muslim communities’… and now, apparently, we can’t talk about working class racism. Do I think that people should be shunned for expressing racism? Hell no. I will talk to anyone. But the next time we debate the ‘uncomfortable truths’ let’s do what McGarvey does in his exceptional book, and define what exactly it is we’re dealing with here.

The River and the Sea

December 9, 2017

When Maya Jasanoff began researching her masterful biography of Joseph Conrad, she found that of the author’s collected, five thousand pages of correspondence, just ‘two hundred pages cover the period from Conrad’s birth in 1857 until he published his first novel in 1895.’ That’s two hundred pages for: Conrad’s childhood in upper class Poland, his parents’ involvement in Polish nationalism, the family’s forced exile, the death of both parents (Conrad was an orphan by eleven years old) joining the merchant marine at sixteen, at least one suicide attempt and twenty years sailing all over the globe. ‘Everything about my life in the wide world can be found in my books,’ Conrad said, and Jasanoff adds that ‘biographers often don’t have much more to go on.’

As Jasanoff explained in her Guardian article, The Dawn Watch is a credible attempt to relate Conrad’s classic fiction to twenty first century geopolitics. She begins in nineteenth century London, where he set The Secret Agent and probably the place he loved most. Back then London was a keystone of immigration, mostly welcomed by locals – it was only when bombs started going off, planted by anarchists and Irish nationalists, that the authorities cracked down. Jasanoff includes subtle parallels to debates of our own time: she notes that sailors were very poorly paid, and that merchants preferred to sign up foreigners to native Britons, reckoning that the former were less likely to get hammered, disappear for days or steal important cargo. As the overseer says in Auf Wiedersehen Pet: ‘You want British worker? Drink tea? Scratch balls? Cost five times more money!’

But what struck me more was the arguments in maritime politics of the day. Conrad sailed when the traditional sailship was being challenged by the new steamship, more powerful and effective but seen by traditionalists as not ‘proper sailing’. Jasanoff writes that ‘Men trained up in sail worried that they might (in the words of one of Conrad’s characters) have ‘to chuck going to sea forever and go in a steamer’ – because going on a steamship wasn’t truly going to sea.’ Then as now, nostalgia and a search for some kernel of authenticity dominated minds.

What The Dawn Watch hammers home is that ‘globalisation’ is not something invented by Tony Blair in the 1990s. For hundreds of years people have crossed borders, traded, migrated and settled. Jasanoff devotes several chapters to the novel Nostromo, which features a fight over a silver mine in a mythical Latin American country. The novel was based on the controversy over the Panama Canal in the 1900s. Nostromo‘s villain is a US investor named Holroyd who subsidises the mine – at a price. Conrad’s American capitalist says ‘We shall run the world’s business whether the world likes it or not.’ Yet isn’t this part of Jasanoff’s critique a little dated, in 2017? Today’s Holroyds would say: ‘We couldn’t care less about the world’s business and we’re going to build a wall to keep it out.’ Still, to anticipate the Argentinian debt crisis, the impact of capital upon democracy and vulture funds by ninety-odd years is quite something.

‘The only place you can go from a summit is down,’ Jasanoff writes. By the 1900s the British empire was as powerful as it was ever going to be. Contraction and disorder was inevitable. Conrad moved from writing about ideology to material interests. ‘There’s no more Europe,’ he said. The world had run out of planet to conquer and now would start fighting over the pie. Geopolitics would become zero sum. Conrad was no Tom Friedman. He knew that the times of an open world would be followed by times of nativism, protectionism, isolation, bigotry and bitterness: and so it has proved. Look at political Twitter trends and you’ll see elaborate racist theory in quasi-academic threads, extravagant conspiracies based around the Zionists or George Soros or the EU, a hysterical fear of the poor and foreign, people screaming for war and revolution. The site could have been launched in 1907 and it wouldn’t look much different from now.

What comes through more than anything political, though, is just how good Conrad’s prose was. As Jasanoff writes: Conrad took his readers to the places ‘beyond the end of telegraph cables and mail-boat lines,’ onto the sailing ships that crept alongside the swift steamers, and among the ‘human outcasts such as one finds in the lost corners of the world.’ Heart of Darkness was based on the story of Belgian Congo, when the idiotic King Leopold attempted to annexe a country many times Belgium’s size by forced purchase from local chiefs who in most cases would have had no idea of what they were signing. But you don’t need to know the background to lose yourself in the novel. Conrad travelled up the Congo river as Marlow did, but he bailed five months into a three-year tour, suffering from dysentery and depression. There is one discrepancy Jasanoff notes: ‘Though Conrad had seen for himself how the Congo River widened considerably on the way up to Stanley Falls, Marlow described his passage as if walls of jungle were closing in, funnelling the travellers back in time.’ Conrad loved the open seas, but I think rivers made him claustrophobic.

Although the novel is obviously problematic today – all those ‘naked breasts, arms, legs, glaring eyes’ – Conrad has his narrator begin on the Thames, talking about the Roman conquest of London: ‘this also… has been one of the dark places of the earth.’ Once Caesar’s triremes had invaded this river to conquer wild ancient Britain. The book is an exploration of fear, the fear in commission of theft, transgression, of meeting people different from yourself, and taking something that’s not yours. It is also about the fear of a world changing, of everything solid melting into air. Jasanoff shows that when Kurtz cries ‘The horror’ it’s not at inhumanity – it’s the humanity.

On Sin, Passivity, Aggression

November 4, 2017

A few years ago a local ideas festival in my city held a panel debate called ‘Has lad culture gone too far?’ This innocuous title turned out to be misleading – I suspect that the event had been organised by a fringe libertarian group to publicise its own agenda and that most of the audience (and the festival organisers) weren’t aware of that. I wandered down out of curiosity. True to form, there was a local councillor and a sexual violence support worker for balance, but the panel was dominated by a couple of men who pushed heavy politicised grievances against the feminist movement – portrayed as a network of hysterics trying to police free speech and behaviour. As the evening dragged on, the atmosphere inside the community hall grew pricklier. I heckled. Other people heckled. Women walked out of the hall, visibly shaken with anger.

That night came back to me as I followed the sexual assault and harassment scandal of the past few weeks. It feels like a turning point, but then Savile and the celeb scandals felt like a turning point and I still remember people at the time, with the reflexive bitterness that passes for cynicism in this country, saying that it was all a ‘witchhunt’, a ‘bandwagon’, that accusers were ‘attention seeking’ and all of this. What I learned though, was that the real personal liberty at the core of it all is physical autonomy. You have nothing without it. The struggle for physical autonomy was a significant part of anti slavery and torture movements, it has been written into international law and is the reason we have courts and prisons. Argue against feminism all you want, but if you think women should just put up with being groped, hassled and followed around, as a matter of course, then you are no kind of liberal or libertarian. Don’t pretend you are talking out of good faith.

I also wonder about the proposed safeguards to this kind of thing. Political correspondents cry ‘If only Parliament had a proper HR department’ without considering that, outside the Westminster village, HR is very much part of the problem. Things get covered up, because ‘he’s a good manager, he’s been with us 37 years, he will be unioned up, the papers might get involved and it’s all too difficult.’ Lashing together some kind of regulatory body for the HoC won’t change anything. There’s a reason these things happen to large sclerotic semi accountable organisations, it is because people like their pay scales, their flexi and their little games – any serious reform that threatens this will be quietly tabled forever. Harvey Weinstein is Harvey Weinstein, Jimmy Savile is Jimmy Savile, he’s been with us Xlight years… papers might get involved… too difficult…

I can, off the top of my head, think of reasonable safeguards that could minimise sexual harassment in workplaces. My ideas may well have all kinds of flaws and complications, they may have already been implemented with problems arising, but I use this blog to blue sky. Don’t worry, I don’t want segregated spaces or speech codes – these are just simple proposals which would in my view be good for workers’ rights anyway.

1) Ensure a reasonable gender ratio in offices or on projects – because, obviously, men are unlikely to harass women if there are other women around

2) Introduce entry-level representation at strategy/board level and ensure that a reasonable proportion of reps are women. A senior exec is less likely to harass a woman employee if he knows he’ll be facing that employee at a strategy meeting the next day.

3) Build protections into employment law that allow employees to discuss workplace experiences outside the workplace – including on social media. As long as data protection is not breached, there’s no reason people should not be able to discuss work matters on Facebook or in the pub. The workplace omerta must be broken.

Of course these would only be structural changes and would not address social misogyny and the established level of entitlement that an alarming number of men seem to have. But, if a sense of entitlement can lead to evils, so can humility. Part of the reason that predatory men get away with what they do, is because we are all conditioned to an extent into passivity – to accept what is, manage your expectations, keep your head down and say nothing. This stuff is drummed into you at a young age and reinforced in adulthood by workplace conditionality, class etiquette, credit and debt, libel courts and half a hundred other things. Even the advice we give to prevent sexual assaults – plan your night, don’t walk home alone, stick to main roads – is commonsensical but reinforces that sense of passivity.

The problem is us, Jonathan Freedland writes today, and also says that ‘I suspect most of us have been interrogating our own past or present conduct in the workplace, wondering if we’ve been getting it wrong. We all need to make that effort, and to make it in good faith.’ And I agree – a moral inventory of this kind is useful, and necessary. But we can all try in our lives to be more proactive, when it counts, and less passive. It won’t be easy, but it can be done. The courageous stories and reportage on this subject over the last few weeks is hopefully just the beginning of how.

Let’s Go Back To College

August 11, 2017

Political commentary at its best is disputatious. Pundits are unlikely to give government credit for policies. Except when it comes to tuition fees. From James Bloodworth on the left, to Daniel Mahoney on the right, everyone agrees what a good idea tuition fees were and how unfair it would be to get rid of them.

Both writers make good arguments, and there are good reasons for such uniformity of opinion. Tuition fees are a minor policy issue compared to everything else that’s going on. Marching against them seems self-indulgent, and if you’re not a student yourself, you’re going to look like some fool trying to recover his lost youth. And many students – at least in my experience – support the fees.

Abolishing tuition fees is also a flagship Jeremy Corbyn policy, which makes the idea look more ridiculous still. The hard Brexit he supports makes the implementation of free higher education, and of all the other targeted giveaways he proposes look, well, academic. And I see why people ask how socialist it really is to give more subsidies to the middle classes while leaving swathes of austerity welfare cuts largely untouched.

And yet I still have doubts about tuition fees, and find the arguments for them to be weak.

For example, the Daily Express described Corbyn’s HE policy (pre this year’s GE) as ‘a key bribe being used by the current Labour leadership to younger voters’. Bribe? Excuse me, but what did the Express think British politics is? Most party policy represents the offer of economic or financial support to various interest groups, in the hope of gaining power. Former education minister Alan Johnson complained that the idea would involve ‘cross-subsidising mainly middle class students’. The middle classes are already subsidised with tax credits, child benefit, flexible working, parental leave and pension credit – but apparently, paying for college is where the line has to be drawn.

Then there is the argument that working class people shouldn’t have to pay for an education from which working class people don’t personally benefit… unless, of course, they ever undergo a clinical procedure, fly on an aircraft, lose themselves in a great novel or history book, or utilise any of the other services and innovations produced by graduates. And taxation always involves paying for something you don’t use. I don’t drive, but I don’t complain that my tax contributions go towards funding publically maintained roads.

And then we come to the ‘crazy students’ story. Barely a week goes by without a headline reporting some ludicrous boycott, no-platform or protest initiated by students. The national security professor Tom Nichols devotes a whole chapter in his marvellous polemic The Death of Expertise to the broken US college education system, and the colossal sense of entitlement displayed by many student protestors. He writes:

At Yale in 2015, for example, a house master’s wife had the temerity to tell minority students to ignore Halloween costumes they thought offensive. This provoked a campuswide temper tantrum that included professors being shouted down by screaming students. ‘In your position as master,’ one student howled in a professor’s face, ‘it is your job to create a place of comfort and home for the students… Do you understand that?!’

Quietly, the professor said, ‘No, I don’t agree with that,’ and the student unloaded on him:

‘Then why the [expletive] did you accept the position?! Who the [expletive] hired you?! You should step down! If that is what you think about being a master you should step down! It is not about creating an intellectual space! It is not! Do you understand that? It’s about creating a home here. You are not doing that!’ [emphasis Nichols’s]

This is a familiar subject. But Nichols’s conclusions are surprising. The ‘crazy students’ story is more prevalent in America because the system costs more at the point of delivery. Students have such entitlement because they have been encouraged to see themselves as customers – ‘children of the elite who may shout at faculty as if they’re berating clumsy maids in a colonial mansion.’

Conservatives have made a minor cottage industry from the backlash against crazy entitled student protestors but, at the end of the day, they just want clicks and RTs. Some leftists have even sillier ideas about HE. Millennials have become a pilot cohort for sociology’s wackier theories.

Take this piece by the Guardian’s Hugh Warwick. He advocates a year of ‘eco conscription’ prior to higher education. Young people would be sent back to the land for compulsory agricultural labour. ‘Now, conscription is a scary idea; associated with the great threats that come with war, so it is sure to antagonise. But I believe we need to start treating the multiple environmental crises as the serious threat they are,’ Warwick explains. ‘The benefits to our ‘home’ of having people working on the land, reconsecrating the sacrilege of our industry, are immense. Reweaving the connections, rebuilding the Linescape will forge links for wildlife and for people.’

This article is such a classic, I could quote from it all day (‘Yes, this is state coercion. But…’) Suffice to note the subtext – that students are a kind of claimant group, which should be mined for productive use. But students spend money, work regular jobs to cover their fees, even set up small businesses. There are provincial cities and market towns from London to Carlisle that would starve without the September-June influx.

Of course having a big student population does lead to obvious problems with loud noise, transient populations and knocked over wheelie bins. But there is no reason undergraduates and regular people cannot live together peacefully. I used to do a lot of voluntary work, and in that capacity I sat on a student impact panel in my own city, which got students and local residents together to find ways to coexist without problems. I remember an old woman praising the university system because (I can’t remember the exact words) ‘it’s remarkable that we live in a society that sets a little time aside for people just to think, and read, and find out who they really are.’ And I can think of no better rationale for higher education than that.